This is where you can sculpt your reverb tone through various EQ, Gate, and Imager processors. Finally, the width will determine how narrow or wide the reverb sound is. Use it right, and you’ll add a third dimension of clarity to your lead vocals. This is one of the features that make Crystalline sound excellent on vocals. The second parameter, sparkle, will add air to your reverb by boosting its high-end. It comes with five different modes which determine the size of your space.
The first parameter is size, which I’m sure you’ve seen in all reverb plugins. The first one is reflections, a place to tweak the overall character of your reverb. The plugin is modelled using new algorithms and methods to create a outstanding sound and enhance the users creativity.Crystalline’s interface is slick and divided into five panels. In the todays evolving reverb world the ArtsAcoustic Reverb is not based on convolution or any similar technology. we created the ArtsAcoustic Reverb to compete with the challenge to reach the highest quality possible with a native plugin that is calculated by the hosts cpu.
the ArtsAcoustic Reverb is highly optimized to work flawlessly on most processors/vst hosts without eating up your cpu, no matter how hard you tweak it. We think that many plugins eat a lot of cpu, thus complicating the workflow in an unacceptable way. every master has different requests, so the reverb has to give the user the possibility to always do a certain function in the mix.based on our experience this is not too often the case with reverb units whether it’s hard- or software unless you want to spend a lot of money – of course, exceptions tighten the rule. even the smoothest reverb tail is not much of use if it doesn’t fit into the mix.
Next to the sound of a good reverb, which was our highest priority, of course, it is mostly very important to edit the room/reverb to suit into the given situation.
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